It's as if I bought an RGB screen and then discovered it could … As far as sound quality goes, both microphones sound almost identical. This microphone requires phantom power, so make sure your mixer/interface can supply phantom power before you purchase the microphone. A Pad … In fact I just picked up my 2nd one last night. Getting the microphone setup is as simple as plug-and-play. 2) LDC Tube mics: CAD VX2; Neumann / Gefell CMV-563 (like the Blue Bottle Rockets in that it has swappable capsules, happily interchangeable to and fro with the Blue’s. It is primarily designed for studio use, but it might have a few applications for live sound like Overheads for drums or for a string section. Good Micro Voice Guitar - a little metal. The NT2 carries fewer switches than the original for reasons which are, on the face of it, hard to fathom. It is honest enough to fit snugly into various specific areas where its undeniable high-mid lift is a pronounced advantage. RØDE NT2 Multi-Pattern Condenser Microphone. Originally published at www.rode.com.au/stusound.htm; rescued from Internet obscurity 2010-05-14. From Australia, the people at Rode make some pretty nice products that tend to be on the lower end of the price spectrum. It has become more of my traveling mic since I have other mics at home that I wont take around with me. A generally nice and reasonably priced large diaphragm condenser. The packaging is designed more for safe long-term storage that for cosmetic presentation; the whole kit comes in a big anonymous white cardboard box, with the microphone and suspension separately packed in pretty basic, black, plastic cases. When compared with popular offerings like the Rode NT1-A, the Rode NT 2 A has increased versatility with its three polar patterns (cardioid, figure-of-eight, and omnidirectional), allowing you to use it in more recording situations. The Rode NT2 is a cardiod condenser microphone. It is primarily designed for studio use, but it might have a few applications for live sound like Overheads for drums or for a string section. BTW, Geffel is now making these again); Rode K2. One or the other alone would be understandable, but given that both are present a figure-of-eight characteristic must be knocking around somewhere, so why is it not available to the user? Cookies help us improve performance, enhance user experience and deliver our services. Find helpful customer reviews and review ratings for Rode NT2A Anniversary Vocal Multi-Pattern Dual Condenser Microphone Package at Amazon.com. This trend has been helped on by the appearance of several previously unknown microphones, many from Eastern Europe, and a renewed interest in vintage microphones from both users and the original manufacturers. And adding a second NT2 gives you both a ‘consistent’ sound when recording more than one thing at a time, plus glorious stereo micing on piano, drum OH’s, and ensembles (instruments and vox, though I’d stop short of a choir -admittedly, though, I have not attempted a choir with it). It has a similar side-fire grille assembly concealing a 1-inch diaphragm, mounted on a fat, tapering body with an XLR fitted at the base. Itook the inner mesh layer out of it and it has made the sound a lot more open and airey, I always sing with a pop filter, and I think it’s a great improvement overall. The microphone itself is in a soft pouch within its case, complete with a bag of silica gel which RØDE take the trouble to suggest should be kept with it, at the diaphragm end, to reduce the risk of moisture-related problems arising. The one switch on the back selects a 10dB pad in one direction and a bass roll-off of unspecified frequency in the other — the two cannot be used together (an odd compromise), although a center position disables both. Just to catch you out, the XLR plugs is facing neither the front nor the back, but the side, an orientation I have never seen before and which must have been specified out of sheer bloody-mindedness. Mic Database | Mic Reviews | Microphone Sale. However, the Rode NT2a Provides a Cardioid-, Figure-8- and … The Rode NT2 is a cardiod condenser microphone. The Rode NT2a fit the bill perfectly having lots of versatility with the polar patterns, pads, and High Pass Filters. The NT2 … This is by no means to suggest that its sound is bright or hard — in fact the depth and body of the large diaphragm is always in evidence and nothing ever sounds thin. So which came first, the model number or the company name? I’m bouncing around the net looking at NT2 stuff as I weigh whether to hold onto mine or not. Rode also make the SDC NT5’s, but I have not used them, so cannot personally say. The Rode NT2-A is a large diaphragm condenser microphone and features 3 pickup patterns – cardioid, omnidirectional, and figure 8. It is a condenser microphone, I use it for vocals on my workplace, a neighborhood mostly studio turned to rap. Unusually, the suspension’s stand-mounting thread is 3/8- inch and an adaptor for 5/8-inch stands is supplied as standard. It offers a convenient high-pass filter switch for 40hz or 80hz. This seems a curious omission which, if put right, would make the NT2 even more of a contender. This microphone requires phantom power, so make sure your mixer/interface can supply phantom power before you purchase the microphone. What do you recommend as an accompanying mic for top quality acoustic guitar recordings. A big plus is that is comes as standard with an elastic suspension, which is just as well as there is no other way of mounting it on a stand. The Rode NT2 is a condenser mic that I have used for years off and on now for some vocals from home. The Rode NT2 was a large-diaphragm FET condenser. Differences between the Rode NT1a and the NT2a. I assume they terminate the capsule with a (relative) low resistance, which is the worst way to implement a low-cut filter! When the low-cut filter is activated, the self noise of the microphone rises to an unacceptable level. My suggestion would be: Why not another NT2? The most common version of the NT2 used a transformerless circuit adapted from the Schoeps design by Jim Williams, The NT1 and NT2 were companion microphones with similar circuits and similar sound; the primary difference was that the NT2 … 3) SDC’s: Nakamichi CM300 and CM100’s; Octava MC-012’s. Yet that is precisely what the RØde NT2 has done. (This content has been automatically translated from French), Decent quality, emphasized high frequencies. Either way, I smell a rat, or more likely some obscure Australian marsupial. The rode NT2A is a professional, large diaphragm, 1″ inch capsule studio microphone, renowned for its reliability, affordability and high-quality sound. RODE NT2 Review – Studio Sound Originally published at www.rode.com.au/stusound.htm; rescued from Internet obscurity 2010-05-14. The polar-pattern selector switch is mounted in the expected place on the front of the body, but curiously offers only cardioid and omni patterns.
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